Substrate

My little robot friend says this is from Anne Lamott's Somehow: Thoughts on Love (2024) and that the Wendell Berry quotation comes from his 1983 essay collection Standing by Words, specifically the essay 'Poetry and Marriage: The Use of Old Forms'

It is not too far-fetched to link the silence at the end of a musical performance with death. In Moscow, on the gravestone of the Russian composer Alfred Schnittke is carved a stave with the semi-circle and dot of a fermata, the sign that indicates that a note (or in this case a pause) is to be held. Underneath is written ‘fff’ (one step above fortissimo, meaning very, very loud).

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Aren’t you excited about the party? What with all the small talk and the rumours and the canapés on a little plate? People are decked out in fine clothes, handbags and shoes, cracking dad jokes while catching food in their mouths with haste and vigour. The kids have been excused. Weren’t they just babies? Time flies, except on the man who drinks his first beer too fast (or our age and you know he’s not just old enough to drink now). As you slip into the party you don’t know anyone, so you make a show of making yourself busy and show nervous excitement. We sit in lounge chairs and chat, pretending the world will never end. Something awful can happen at this barbecue, but the good part never comes. The time passes and eventually you can leave.

Do you ever get tired of your own skin? Do you ever get tired of your own thoughts? Do you ever get tired of the same conversations, the same news, the same cultural indoctrinations in public discourse? So the magazines, we tuck our innermost thoughts away in drawers, concerned about the rain. We’re good enough to live under the same slight of hand. There are the masks, too, which everybody gets in the end.

I’m pretty good at detecting nonsense. We all feel alone because I think I don’t acknowledge them when I say I feel alone. I’m not the first weak-tailed dandy to have written an essay of despair, but I am a contemporary person, an existentialist who said that humans are built to feel scared and sad but we’re inevitably lonely. And yet, we geniuses have designed a society in which expressing true feelings in public is discouraged. So the masks again, the eyebrows too.

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[S]overeignty is the name for a confused, reactive, often not-quite-thought view that there ought to be a solution to the pressure of adapting to “other people” and to other nations’ force of existence, intention, action, entitlement, and desire. Sovereignty is thus a fantasy of jurisdiction. It is a defense of entitlement, reference, and agency.

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The burnout of our age, Han writes, doesn’t come from external repression but from internal overproduction. We are not crushed by the lash; we are fried by the light, the constant buzz of notifications, the tyranny of being reachable, and the invisible expectation to always be on.

– Miski Omar, The Guardian

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“Some things are too important to be taken seriously.”

— Oscar Wilde

This made me chuckle.

Source: Are.na block · Vibes channel

Substack is a shitty place to publish blog posts, but (for me, at least) Substack Notes has a pretty high signal/noise ratio. Because it's very much a writer-focused place, you get wonderful things like this happening:

At a 1962 conference at the Museum of Modern Art, conservative art critic Hilton Kramer denounced Pop Art as “indistinguishable from advertising art” because “Pop Art does not tell us what it feels like to be living through the present moment of civilization. Its social effect is simply to reconcile us to a world of commodities, banalities and vulgarities.” But perhaps the content of graphic design is exactly that: an evocation of “what it feels like to be living through the present moment of civilization,” with all its “commodities, banalities and vulgarities.” How else can we discuss the content of a typeface or why the typography of a surfing magazine suddenly becomes relevant? Or how a series of made-up or ‘self-initiated’ posters—already a medium of dubious functionality— can end up on the wall of a major design museum? Work must be saying something, which is different than being about something.

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